Art Print Issues by Barney Davey

Art Marketing Today - Making Sense of the Bits

Artists are seekers. I've never known one that wasn't seeking something with his or her art. Once bitten by the potent urge to create and make something of the talent, it's hard, if not impossible, to put the quest down. Put it off for expediency and steady currency yes, but forget about it -- never.

Here are a collection of disparate bits (links) I found to be interesting and compelling on their own. And, I also find a common thread running through them. Let me see if I can thread the needle for you.

Meet the boss

We'll start with the boss. That would be the formidable Katherine Tyrrell, the unparalleled blogger of Making a Mark. I call her the boss because she has put together a authoritative world class series of artist information Squidoo lenses to go along with her widely read blog. How she finds time for it all and manages to paint marvels me. It rivals the likes of the creative informative output of Robert Genn with his famous Twice-weekly Letter.

Katherine's post today is about something on every artist's mind, or ought to be. That would be how can I learn more about and get better at selling art online? She has decided it is enough of a big subject itself she is breaking if from her information rich Art Business - Resources for Artist Squidoo Lens. She is calling for your help. If you know of other sites where artists can sell their work not listed on her Art Business lens, please forward them to her.

High-end art market tanking...duh!

Bloomberg News had this headline today: Art Market May Take 3-5 Years to Recover, Survey Company Says. Go figure. Who would have known? I surmise it woud be just about every lucid person on the planet. But, somebody paid to prove the obvious. The article was based on research by an outfit called Art Tactic, Ltd. Granted, the article is what is happening at the top-tier "art as investment" fine art auction scene. However, what happens at the top trickles down. That is, it's hard for lower priced work to take big leaps up when prices of the most highly valued pieces are being depressed. The lesson here is it is another reason to be figuring out how to sell your art online, or any where else where willing buyers can be found for that matter. Perhaps the message is to work in a style that suits your local area in a way that will help insulate you from the larger push down on art prices.

Would have Picasso sold giclees?

This brings us to an article published by artist Henry Bateman. He's made a living as an artist for a long time and is an astute observer of the market from both a personal perspective and from a more macro look over time and circumstances. He published this online article, Are Giclee Prints Collectible? In it, he makes the case that Picasso would have embraced the giclee medium. He concludes that those prints that are remarqued with a bit of "graffiti" as he calls on it are the ones that will be collectible. He could be right. Another way to look at it would be sequentially numbered, but open edition pieces, might see the lower numbers become more collectible than higher numbers.

What is just as interesting about this article is where he published it. That is, the Home Improvements Directory.com. A very good place to be promoting himself as a knowledgeable art insider who just happens to be an artist himself. Nice bit of self-promoting to a targeted audience. Kudos to Henry. He's thinking outside the box on how to up his visibility online and potentially with some of his best prospects.

How to hook new customers and great publcity

Joan Ambrose-Bibbo is a multi-talented artist with a unique story. One that begs for publicity that practically writes itself. Son of a gun if that isn't exactly what happened. She was recently covered in a hometown paper, The Mercury, which serves Pottsdown, PA and surrounding counties. The story is titled, Hooked on Art. It details her career as a graphic artist (A familiar tale about paying the bills.) 

Her real passion is making hooked rugs. With her artistic talents, she has come up with great designs and an in-demand product. So much so, she's turned to making giclee prints of the work and has a new source of revenue with the pieces selling in local galleries. She obviously has a look that ties in to the design themes and interests of her regional locale. Finding more and new ways to stretch your talent and reach a willing market is more crucial now than any previous time. There is lots to be learned here. Follow your passion, be creative about how to make your work, be unique and look for opportunities to let the media blow your horn with stellar priceless publicity.

Living your dream in the 2000s

Lastly, we'll look at Katie Davis. Like Henry Bateman, she has taken up pen to write articles online. This format gives her a boost in awareness while promoting a point of view and a subtle, but nonetheless obvious, agenda to help her sell her art. And, she has a great message for artists, or anyone else for that matter. In her article, How to Live Your Dream, she narrates navigating an interesting and changing career and life path that I'm sure many reading this can relate to in some fashion.

The path has taken her from starting out with a fine art degree and gravitating painting sets for movies and television. The tour takes her through creating greeting and notecards sold in local galleries. Where it gets interesting is how she has morphed that interest and talent into her own online e-card company at www.KatiesCards.com. The business allows her to unleash her creativity, learn new skills and enjoy a growing business where she works from home allowing her to be there for her kids. Nicely done Katie.

Seek and ye shall find

If you see a pattern of entrepreneurship, of not following the beaten path, of using the Internet in unique ways, then you have followed the thread. The artists mentioned here all are finding the time to do things to help themselves, to promote themselves, away from the easel. They have each embraced the Internet in their own way. Let them be an inspiration to you to try new things and to not convince yourself there is not enough time. If it's important, there is always time. Nurturing your career is as crucial as building your body of work and growing as an artist and as a seeker.

French Incent Buying Art - Guggenheim Vegas Closing - Using Whitey Ball in a Down Market - ArtExpo Vegas a Conservative Go

Signs of changing times:

• The announcement came last week the French government is so distraught over slipping in worldwide art sales, falling to third behind China, it is offering interest free loans for its citizens to buy fine art.
• It in a sad, but not completely surprising item, the Las Vegas Sun reports the Guggenheim Hermitage Museum there is scheduled to shutter next month...sigh. But, in the perfection of hindsight, looking at Vegas marketing then and now, it seems logical it would not work.

Sin City Is the Name of the Game

You may recall Las Vegas formerly tried to tout itself as a family friendly destination with water slides, the Wizard of OZ's Yellow Brick Road at the MGM, roller coasters and so forth. However, it didn't take long for the shine to wear off that idea before Vegas reverted to true form. It is, after all, called Sin City for good reason. The popular and effective "What happens in Vegas stays in Vegas" slogan that replaced the family theme has been successful because it pointedly captures the allure of Vegas.

In retrospect, the familiar saying, "You can't make a silk purse out a of a sow's ear" now seems appropriate to putting one of the most prestigious fine art museums in Vegas. As the Las Vegas Sun article points out, there were other problems, but at the heart of it, it just wasn't a good fit. The closing of the Guggenheim speaks volumes about culture, or lack thereof, in Vegas, and to a degree how specialized the interest and marketing of fine art is. The wisdom of crowds theory dictates the taste for Vegas is gambling, dining, nightclubbing, extravagant shows and forbidden fruit with not much energy or enthusiasm for fine art experiences.

In the tradeshow business, the take on destinations such as Las Vegas and San Francisco is they are great convention, but largely lousy tradeshow towns. Simply, the distractions are too powerful to keep crowds on the floor for smaller shows. Behemoths, such as Comdex, draw so many attendees they override the common wisdom. That said, it is only fair to note some small tradeshows such as the annual West Coast Art & Frame show do well there regardless. And in fairness to Vegas, there are but a a handful of cities worldwide that could sustain a Guggenheim museum.

You Can't Put Round Art into a Square Frame, No Matter How Glittery the Frame

The moral of the Guggenheim Vegas story is you can't force something where it doesn't fit. Put another way, swinging for the fences in an attempt to clear the bases with a Grand Slam homerun grandiose idea is not always a winning strategy. For art marketers, this lesson could not be more true, especially in a down economy. Looking back, the concept of an exquisite fine art museum in Vegas was a grandiose idea gone awry. The baseball analogy provides a nice segue to discuss employing a strategy called "Whitey Ball" for art marketers in a down market.

The Whitey Ball Strategy for Art Marketing in a Down Market

In the 1980s, the St. Louis Cardinals baseball team didn't have big hitting sluggers on its roster. Its huge ballpark with faraway fences didn't suit having them on the payroll. Instead, the team's wily manager, Whitey Herzog, used his creativity to build a team around speed and slap hitting singles batters. During his tenure, Herzog picked players who were fleet of foot with the ability to steal bases, move fast to plug defenses and thwart their opponent's offenses. Whitey always sought as many chances at bat he could get for his players. Essentially, he adapted his strategy to conform to what he had to work with. The results were spectacular with three National League pennants and two World Series appearances, including a World Series Championship in 1982.

Piling Up Singles in Today's Economy Is a Great Strategy

Whether you are an independent self-representing artist or a big time publisher, this is a good time to employ your version of Whitey Ball marketing. For those serious about sustaining and building their businesses, smart marketing is more crucial now than in good times. Maintaining your marketing edge now will, when the economy turns, put you far ahead of those who hunker down and do nothing.

NINE IDEAS FOR USING WHITEY BALL MARKETING WITH YOUR ART BUSINESS

1. Accurately assess your resources, opportunities and goals. Doing so serves to keep your expectations real.
2. Give your business every chance at bat it can get. Look for all the publicity and media notice you can garner - there are more opportunities than you realize. It all matters and it all adds up when you find and use them.
3. Shore up your defenses by tightening non-essential spending keeping funds available for the best opportunities.
4. Go for the single when you get to bat. The first step to getting a run is to get on base. The first step to getting repeat sales is to establish a relationship with a potential collector or gallery
5. Carefully weigh your options. When it comes to deciding how to allocate your marketing budget, employing the carpenter's credo to measure twice and cut once is a wise idea.
6. Renegotiate with your suppliers to get every discount, value added service and the lowest prices they can provide you.
7. Explore every viable means to diversify your distribution channels. Going forward, alternative, creative marketing is a fact of life no matter what the economy is doing.
8. Do whatever you must to make sure your customers are happy and your service is par excellence.
9. Don't buy into fanciful untried ideas (Or, if you must, start small and play conservatively. If it's good, you'll have time later to ratchet up your participation.)

Your Best Ideas Likely May Come From Doing Something You Were Sure You Would Never Do

To get creative, it helps to get outside your comfort zone. Try thinking about doing things differently, much differently. For instance, consider where have you not been, what have you not done and what you would never do. A marvelous brainstorming activity is to take a large sheet of paper and write down all the people, places and things you would never approach or do in your business. The harder you think about it and the more ideas you conjure up, the more likely your best out of left field (baseball pun intended) idea will come.

ArtExpo Las Vegas is a Conservative Go

Is there a correlation or lesson about the ArtExpo Las Vegas show and the closing of the Guggenheim Hermitage? Of course, especially if you believed Vegas had become an art mecca. I fell under that spell. Like many others, I was a strong proponent of the ArtExpo Vegas show last year. I devoted several encouraging posts on Art Print Issues and another on the very popular AbsoluteArts.com blog, where I contribute frequently.

My post show follow up was more sanguine. Like the folks at the Guggenheim and many others, I felt Vegas offered promise. Seeing the museum close and the ArtExpo show last year come off smaller than anyone would have hoped for and now in tougher economic times, it's hard to muster great enthusiasm for the 2008 show. Still, the industry is down to few choices for shows and this is one of them.

If you have the resources, ArtExpo Vegas can work to your advantage to exhibit there.

I met several self-representing artists who were thrilled they made the decision to go. The smartest advice is to go expecting the best, but also be prepared for something less than that. By doing so, you are poised to react to a good outcome and will negate the deflation of a bummer experience by having acknowledged the possibility of it. Exhibiting there, especially as unknown artist is akin to gambling, don't play with money you can't afford to lose. Go with a good marketing plan, use solid money management to keep losses to a minimum and play hard and smart and pray for a hot streak

What the artists with whom I met that had a great ArtExpo Vegas show had in common was they had unique well developed thematic styles that appealed to certain buyers with substantial open to buy budgets. In other words, in each case it was a single buyer that made the difference for them. This scenario is likely to happen again this year, but understand the buyers are selective. It doesn't mean your images aren't good if you don't succeed. It could be they are not right for those buyers who attend. Being able to know the difference only comes with experience. If you lack it, seek the advice of others to get an honest, if not brutal, assessment of where your art comes in.

The art print market is evolving and so are the venues and media that report on, promote and support it.

What we are witnessing is the rapid deconstruction of how things were done in the past. It is far from an art industry problem. You can find reports of all kinds of shows and media contracting from their once bulging sizes. It's harder to find where the business is going. Some to the Internet, some to targeted marketing and some to marginal players folding their tents.

To maximize your return, you need to pay close attention to help you understand how the business is evolving. Playing Whitey Ball with your marketing will help you sustain your business as you wind through the challenging times we find ourselves in today.

Five Ways to Market Your Art Direct

We pause this blog for a little shameless self-promotion.

An artist friend who I met after he read my book, which resulted in a series of consulting sessions over the past two years, has decided to take up the offer from a publisher to join his ranks. He had long held the notion that with his considerable business expertise and decent financing he would self-publish his work. He had begun to do that and also to shop giclees of his work to galleries in his local area. Additionally, he also managed to get some of his giclees put in the gift shop of a prestigious venue in his area.

I'm being slightly cryptic here because the ink is not dry on the contract and he has what I consider a terrific idea for an approach to working a niche. If all goes well, he will have a coming out party at the upcoming 30th Annual ArtExpo New York show at the end of this month. When I can share more details,I will be happy to do so.

My friend has recently been re-reading my book, How to Profit from the Art Print Market. It was interesting for both of us to observe what he was going through with the development of his print career. In many ways, his circumstances were exactly as I described in the book. This was down to my mention of having a marketing maven full-time to help grow the business as a key component of self-publishing success for many, if not most artists. His wife is a gifted driven very successful designer in the home furnishings field. Their company has for more than a decade supplied household name brands with licensed designs of all sorts. While she would be perfect in this role, she does not have the time to put her career on hold to help his. Nor would it make financial sense for her to do so.

Left to his own devices, this artist began to realize the difficulties for an unknown artist to be both marketing maven and full-time artist. Plus, he still puts in time at the design business as needed. The bottom line is the uphill battle was starting to look overwhelming given the plausible vision he has for his art and career. As the luck most often found in the residue of hard work would have it, a contact in one of the galleries led him to perhaps the most ideal publisher for his genre and his circumstances. I'm quite happy for him things are going to work out.

What he found was in reading and re-reading my book was two years after his first reading, the basic advice from what to do, what might happen, what the commission structure offered would be and many other things were still spot on and valuable to him in his decisions and dealings with his new potential publisher. It was heartwarming validation for me the underlying advice continued to hold water even though the business continues to undergo substantial, if not monumental, upheaval and change.

More Signs of Change for the Art Print Market

The state and health of the trade magazines and tradeshows that serve the industry are as much a harbinger of how things are working out as any. In October 2006, I put 20 years of tradeshow experience on the line and predicted the Decor Expo Baltimore show would be a bust. That was harsh given the inaugural show was still six months away in April 2007. While I have no official word, I notice the February issue of Art Business News has omitted the 2008 Baltimore show from its Calendar. Not a good sign things are working out. Further, the Web site for the show has no exhibitor list. Since this is a primary tool for enlisting more exhibitors, one can only conclude the show is being quietly mothballed, or in serious trouble. I'm left wondering if another prediction of a sale for the Art and Framing Group by current owner, Summit Business Media LLC, can be far off.

ArtExpo Booth Sales Appear to Be Well Off Previous Year Figures

Meanwhile, the aforementioned 30th Annual ArtExpo New York show appears to also be struggling to bring in the same number of exhibitors as last year. A check today shows 374 companies listed as exhibitors. The list has been updated regularly over the past month with more than 100 exhibitors added to it. Nevertheless, it remains well behind the 600 exhibitors published by the show producer last month. The trade magazines that serve the business also are showing a decline in ad pages. These are pretty good indicators it's rough patch for the art print market these days. The cover story of the ABN issue was on the state of the art economy interviewing some veteran players in the market. While most found some ways to put a bit of positive spin on their outlook, none was overly optimistic.

Five Ways to Market Your Art Direct

It's a good time to review what you are trying to achieve from a business perspective for your career. I'm not talking about a year end review and goals for the coming months. I'm thinking more about what you want for your career financially and awareness. It could be like that of my friend who seeks to find an audience and appreciation for his work and to get the work to market in a way he could profit from the effort. Besides reaching a vastly larger audience, the appeal of the print market for most successful artists who embrace it is it provides them a way to generate repeat cash flow from the effort in creating an original.

I have said it before, but believe it bears repeating. Artists ought to be developing their own direct revenue streams with collectors. Easy to say, harder to do. But when you consider the traditional means are not nearly as robust as before, it provides extra impetus. Here are some ideas for how that might work:

1. Alternative spaces, such as coffee shops, restaurants, building lobbies and waiting rooms. There is a skin care salon located here in tony Paradise Valley that also offers art from local artists. The patrons are a perfect demographic for art. And, they are spending leisure time in the salon on a repeat basis. It works for the artists and the salon owner on multiple levels.

2. Create your own shows. You don't have to have a gallery to do this for you. Decide you are going to do it and follow though. You can create a show in a public space; perhaps a local community college, a church, a rented hotel room. Build some excitement around the uniqueness of the show with publicity or charitable components. Plan far enough in advance to get a good date not competitive with other activities. Enlist your family and friends to help you generate word-of-mouth.

3. Web sites and blogs. Are you selling direct from either? If not, why? Of course, you don't want to compete with any established galleries with an online site or physical location. Why not have exclusives for the galleries that are promoted on your Web site or blog along with exclusive images available only through you? eBay just announced it has new pricing. Apparently, the past year has been difficult with sellers abandoning the once juggernaut for other venues. It might be worth revisiting it for another shot in 2008.

4. Work with other artists. Get other visual artists, or musicians or poets to create a happening. Find ways to collaborate on art and promotion. The group dynamic could be very dynamic and stimulating. You can use something like Meetup that offers tremendous potential to the person with energy and a good idea and a dash of promotional verve.

5. Get in catalogs. The Guild, which is one of my most favorite for indie artists, offers a tremendous platform for sales and visibility for artists through its Artful Home catalog and Guild Sourcebook. It is by far not the only one, but if you are interested, you can act now to submit to its annual juried entry submission process. The competition runs through February 29 and is administered by Juried Art Services, which you should check out for all its offerings. A catalog or sourcebook such as this is one degree of separation, but you ship directly and you get promoted and create a relationship with your customers.

Bottom line is now more than ever, you have to think and act for yourself. The more you take your situation under your own control, the better off you will be. I'm sure there are plenty of other great ideas. If you have any and want to share, the comments section below beckons.

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Creative Publicity Pays

Here is a great question from a loyal reader (And a pretty good answer if I do toot my horn myself):

Dear Barney, You mentioned publicity. Can you give us a few ideas on creative publicity and how to and where to? What magazines do you suggest and what about free publicity, as well? Thank you, Janet Vanderhoof

Thanks for the excellent question, Janet. The best most effective publicity doesn't just happen. It comes about from a pre-planned coordinated effort to raise awareness for an artist. Too often marketers underestimate the power of publicity because it is not bought as a commodity like advertising. Just because it is complementary doesn't mean it should be taken lightly.

Before beginning a PR campaign, one needs to determine what the goal is. Getting publicity is a good thing alone. Getting publicity in the right media for the right reasons is a wonderful thing. Wasting time chasing the wrong media with the wrong goals is disheartening. The goal could be to become better known within the industry or some segment of it. Or it could be to become better known locally, regionally or nationally. It might be any combination of these segments. Or, it could be something completely different. It must suit you and your needs. The more ambitious the goal, the more planning and brainstorming it will take to pull it off.

Do You Need to Target Consumer Media, Specialty Media or Trade Media?

There is consumer media, specialty consumer media and there is trade media. One can target all if you are ambitious, organized and energetic enough to manage it. If you have read my book and this blog, you know I believe becoming a student of the business you want to conquer is imperative. That is, know what the trade publications are doing. Read current and back issues thoroughly making a concerted effort to understand what is going on with them, especially with their PR columns and features. Take the time get to know the editorial staff. They are always busy, but the right approach will win some time for you.

My recent blog post about Joy Butler and Nicole Kidd on stealth marketing is a perfect example of how an author and fine jewelry maker seeking publicity got the attention of people who can help them. Both targeted media influences who stood a chance to help them ratchet up their profile with the right audience.

The trade publications serving retailers, art dealers and picture framers are Art World News, Art Business News, Decor and Picture Framing Magazine. You should have them on your radar screen, especially the first two mentioned. There are numerous artists "how to" pubs such as The Artist's Magazine, but I don't think targeting them will help you grow your business. It would more of a vanity bragging rights move to go after them.

There is a host of specialty consumer magazines targeting the art market, you need to spend some time at the library or a good magazine store or a Borders to study which of these might be appropriate for you. Frankly, I think top shelf glossy consumer art magazines are out of range of the most artists, including the typical reader of this blog. But, don't be shy and never be afraid to dream or to tackle the impossible. It's always free to ask and as Wayne Gretzky says, "You miss 100% of the shots you don't take." Sometimes the neophyte blindly charging in where others fear to dare is the one who gains access to things considered out of reach by those who study and think too hard before acting. Carrying the hockey analogy further, the highest percentage shots are the ones with the best angle to the goal.

The trade pubs don't have the pull they once did. The audience they serve is much smaller and more finicky, but they are still important and worth studying to learn what publicity opportunities they offer to artists. You will be surprised at what is possible with a diligent respectful campaign to get your items published in these books. If you can swing some advertising in them, do it. It's good for the magazines that serve the industry and the added visibility will give your publicity more credibility and punch and vice-versa.

If you want to target consumer media, whether print, radio or television, you have to have to stand out from the crowd. There are so many media outlets today that it is a constant chore for them to find suitable content. But, what they are looking for is something unique, something different, often with a human interest perspective. A charitable component is always a booster.

How about making a goal to get x number of national trade media placements, x number of local media placements and x number of regional media placements in 2008? It just takes planning and persistence. Make a reasonable achievable plan and break down the steps necessary to turn the plan into action. Don't take on more than you can reasonably handle. That is a prescription for losing patience before you succeed.

Some mags, like the trade pubs are easier to deal with and have shorter deadlines. Others, like national consumer mags are months in advance on publicity. Newspapers work on shorter deadlines. Local broadcast media often is only working a couple of weeks in advance for many stories. Decorating shows on cable are targets. Any and all of these are great targets, especially if you weave a cohesive plan to work as many as make sense together to create synergy and momentum. To find ideas, you have to train yourself to read and review the newspaper and magazines and other media not for entertainment or information, but as sources. When you see an item of interest, even those things not art related, ask yourself what you would need to do to emulate it, or do it better.

Analyze Who You Are, What You Do or What You Might Be Interested In Doing?

Do you paint fast? Do you paint subject matter out of the ordinary? Are you a charming character? Are you an outlandish larger than life character? Do you paint unusual subject matter. Do you have compelling personal interest story? Are you doing something worthwhile that will benefit a charity? Do you paint pets or kids in unusual settings? Do you do performance art with your visual art? Can you hook up with a performing artist to present your visual art in concert with music or performance? Have you created a thematic body of work that would grab the interest of local or regional media? These are just examples, you'll need to plumb your own situation to find what works for you.

Online Media Is Growing in Importance

I urge you to not overlook the burgeoning influence of Web sites and blogs to be creative media outlets. If you have the right art, Boing Boing could be perfect. Or it could be a business blog that appeals to the right segment as the aforementioned Nicole Kidd successfully targeted. Get Heather on her Dooce blog to notice you and suddenly hundreds of thousands of the Baby Boomer parent readers of her blog know about you. Research a list as on Technorati of the blogs with the greatest amount of page views for ones you can target. If you choose to forgo traditional media altogether and concentrate on online media, you can make a real dent. Natasha Wescoat continues to impress me with her tireless effective ongoing cutting edge efforts in the online world. If you do golf art, then getting some golf bloggers to mention you would be excellent. You just have to go where the interest and content fit your plans and product. The possibilities are endless. The research might lead you to subject matter you hadn't previously considered.

Broadcast PR to Traditional PR Outlets Is Always a Winner.

Take advantage of PR outlets such as PRWEB to broadcast a press release to thousands of media. My advice is to fund your press release at least at the $80 level at PRWEB. By comparison to any other media spending, this could be the biggest bang for your buck. You can also try Now Public if you are on a budget, but you won't see the reach of a funded PRWEB press release.

To get your arms around an idea that can be utilized in media in an ongoing way might require you to think about it for sometime before you get clear on what your UAP (Unique Art/Artist Proposition) is. But, if you cogitate on it long enough, you will figure it out. Your first thought may only be a step in the right direction. You may need to alter your course to adjust to changes in plans or because the opportunity is not what you thought, but is still something worth pursuing. There is no quick fix to working publicity effectively.

None of this happens because you wish it so. It requires the 3 Ds...Desire, Discipline and Details. That is, you have to truly want it to happen, you have to apply yourself with dedication and you have to study to know how to work as smart as hard to get the payoff you want. Putting it all together is not an easy task. But when you consider what other efforts have the potential to do so much for you, you'll likely agree a job worth doing is worth doing well, especially in the area of public relations.

As with anything else, the more quality time you put into it, the better your results are certain to be. But to make it happen, you have to plan and then you have to act. Once you do, good things will happen you couldn't imagine beforehand. My all-time favorite quote is from Goethe who eloquently and passionately brings this notion to light:

Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative and creation, there is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one's favor all manner of unforeseen incidents, meetings and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now.

~ Johann Wolfgang von Goethe (1749 - 1832) )

Ten Points to Ponder for Your Art Marketing Plans

Come gather 'round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You'll be drenched to the bone.
If your time to you
Is worth savin'
Then you better start swimmin'
Or you'll sink like a stone
For the times they are a-changin'. - Bob Dylan 1963

It takes an admitted bit of hubris to include lyrics from one of the most enduring and powerful protest songs from Bob Dylan's oeuvre for a mere blog post. But, hey in the spirit of the holidays just passed, I hope dear readers you and Bob Dylan will forgive the trespass.

Dylan's epic words were written in tumultuous times. The Civil Rights movement was fulminating while the Vietnam War was beginning to rage full on over there. Here at home young people, angry Baby Boomers, were being politicized as never before as a result of being drafted to serve in arguably the most unpopular war America has ever fought. I have little doubt if involuntary conscription were a feature the current Iraq War, it too would have galvanized the populace, especially young people into action to make it equally as unpopular with the same divisive consequences as Vietnam caused. And, Dylan's lyrics would be apropos now as then.

The reality now is we are engaged in an unpopular war that has lasted longer than both World War II or the Vietnam war with a cost so high, the debt will still be being paid by the children of generations yet unborn. But our volunteer army and relatively stable economy have kept most of us on the sidelines praying for a reasonable end to an interminable situation. That said, the focus of this post is the state of the economy and how it affects visual artists in the print market.

Street Smart Stealth Marketing Pays Off

Recently, I received an email from Joy Butler. She is the author of a new book, The Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions (Guide Through the Legal Jungle) 

It covers much more than most visual artists need to know, but the parts that relate to the business of being a visual artist are invaluable. Butler provides easy-to-follow directions on how to go about getting proper permission to properly clear the rights to copyrights, trademarks and other rights for entertainment and media productions.

If you have need to know how to legally incorporate a quote, music, artwork, flim clips, people's names, faces, brand names, life stories or other sorts of protected materials into your work, you need this book. Conversely, if you want to know the best way to properly allow use for your own copyrighted images, it will help you there as well. It includes more than fifty pages of resources and forms for you to use. This could easily be well worth the $13.57 Amazon price many times over for visual artists.

I'm impressed enough by the book to recommend it to you. However, if Butler had not contacted me with an offer I couldn't refuse, I would not know about it. She found me because I have published an Amazon Listmania list, Business & Marketing Books for Visual Artists. Her simple offer was to send me a free autographed copy of her book with the condition I add it to my Listmania if I found it appropriate. No strings attached. Upon review, I was happy to oblige.

My brother is a leading legal authority on franchising which makes heavy use of trademarks and copyrights. I showed him the book and he was quite impressed. That's a high compliment because he is rarely easily impressed by such things. Joy Butler publishes a useful book and uses street smart savvy and a little elbow grease to ferret out prospects to help her market it. I'm sure she will be successful with her efforts.

If you are a reader of Clint Watson's Fine Art Views blog. You recently read a post of his about artist Hazel Dooney giving away copies of her latest print free. I commented on it because it fits with my views that there are new and unique ways artists like Dooney are using to gain publicity. She's getting another bump from me right here. Her free prints have multiplied and amplified her marketing in ways no other marketing can reach.

How many ways can you think of using unique marketing promotions to help you get notoriety otherwise unavailable? If you start thinking creatively about it, you will be surprised at what you can do to help yourself. Butler's book is a worthy addition to any serious artist's bookshelf. For the price of a few minutes of her time to write me and a few bucks to send me a copy, she's gained more exposure to a targeted audience than she could get anywhere using mainstream media. Learning how to use guerrilla tactics like this in your own business will take you a long way towards gaining the success you want.

Here is another great example of how stealth marketing can work for you. Because I am a marketing geek at heart, I subscribe to Michele Miller's superb Wonderbranding, Marketing to Women blog. In timely fashion, just a few weeks before my wife's birthday, she posted about jewelry designer, Nicole Kidd. Turns out Nicole has been sending Michele useful tidbits of information for a long time without ever asking for anything, not even a reply. Just a simple friendly gesture. Michele's blog is one of the most successful and highly read marketing blogs and as such she gets voluminous email. She also has a huge list of potential topics to write about, so for her to mention Nicole, it had to be something special.

Turns out Nicole is something special. When I saw the link and read the post, I knew I would find something on her Web site that would be a perfect gift for my wife. I emailed Nicole and we had some very nice communication, including a phone conversation. She is a dynamo with passion and energy and just plain fun to talk with.

I placed an order and it was filled and delivered on time as promised. My wife loves the unique necklace and earrings and I'm proud every time I see her wear them because she looks great and I know she is wearing something not store bought and because stealth marketing really really works. Some of her favorite stones are turquoise and peridot, her birthstone. Look what I found for her on Nicole's site.

These are but two examples of how using inexpensive creative marketing paid off for the marketer. Like Woody Allen says, "90% of success is showing up." How soon you get your marketing efforts to show up in the right places is up to you. Get started now.